![Moog Labyrinth](jpg/gmtxipgtvzezvuqmggkmqo-320-80.jpg)
“It’s like having a compositional companion”: Moog’s Labyrinth synth breaks cover
A new voice architecture, a different filter topology, wavefolding and parallel processing are also part of the deal
A new voice architecture, a different filter topology, wavefolding and parallel processing are also part of the deal
As immersive audio is normalised, the need for dedicated hardware grows. We power up this new offering
Before the Wurlitzer 200 series, we had this
This would be in addition to its existing ‘super partner’ relationships with retailers
KingKorg Neo is a bi-timbral VA synth packed into a small-form 37-key compact body, and is not as ‘Neo’ as the name implies
Want to add some verve to your mix? UA has just the plugin to help. We turn up the heat with some toasty virtual tech
An official software reboot of the iconic 1974 tape echo and spring reverb
The often forgotten 1978 classic gets another chance to shine
The drum machine with one foot in the past makes a welcome return to the future. We show the CR-78 a glimpse of 2024
Adding some analogue feel to your DAW-life could now be a reality, but is Softube’s latest controller really the one? We swipe left
Noise Lab’s module has three filters in one and bucket loads of control. We fire it up for some formant fun…
New study pinpoints three “melodic revolutions” since 1975
From plugging in to wigging out, here’s a step-by-step guide to getting started with your new audio interface - for both Windows and Mac OS
This dinky two-in-one module can flip between sequencer and controller modes. We find out if it’s double the fun
The Nordic duo bringing modern classical into dance on vintage Korgs, orchestral mixing and their love of the iPhone mic
Instant gratification for ambient and cinematic soundtrack producers
“We went right back to the origins by getting the same instruments that were playing it, the same sounds,” says composer Lorne Balfe
We were told that the “third and final prototype” was being beta tested in 2022
In the '60s and '70s, you needed a cumbersome metal plate strapped to some springs to create quality reverb, but it was so good that we still yearn for that EMT 140 sound today. Here’s how to recreate it, without a plate in sight…